Theater
With sufficient revision, Marisa Smith’s genial farce could well command the rom-com slot virtually every regional and community theater in the world yearns to fill.
At the heart of The Women Who Mapped The Stars is a drama about the desire of significant female astronomers to be heard and respected.
A resplendent and spirited revival of The Sound of Music in downtown Boston.
Shining leads make up for a problem play that, in this production, has been further problematized.
Top Girls’ conflicts and political themes seem more relevant than ever in this excellent production.
The Villains’ Supper Club supplies an engaging and funny twist on the superhero mythos, plus a smart, refreshing look at the tribulations of working mothers.
The script is symptomatic of the Trump era: a passionate rejection of the “politically correct” pushes warriors for “freedom,” as well as voices of radicalism, into morally despicable positions.
But, amidst all this excitement, there was an undertow of concern in the crowd at this year’s IRNE Awards.
The Lyric Stage production of Anna Christie does right by Eugene O’Neill’s brilliance.
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