Theater
Artists should “no longer huddle in the confines of a painted box set” but instead join together to “find visible and audible expression for the tempo and psychology of our time” and dramatize “the search of the average American today for knowledge about his country and his world.” – Hallie Flanagan, Federal Theatre Project Stick…
Read MoreHighlights on stage this month include the world premiere of a drama about evolution by a respected local playwright and an intriguing collection of plays and musicals that bring an unusual perspective to topics ranging from love and music to extinction and dehumanization. And the wait is over: a show featuring singing dinosaurs has arrived.…
Read MoreBoredom is the root of all evil . . . The influence that it exerts is altogether magical, except that it is not the influence of attraction, but of repulsion. — Søren Kierkegaard, “Either/Or” Private Fears in Public Places by Alan Ayckbourn. Directed by David J. Miller. Set design by Miller. Staged by the Zeitgeist…
Read MoreThere will be time to murder and create, And time for all the works and days of hands that lift and drop a question on your plate — From “The Love Song of J. Alfred Prufrock,” T.S. Eliot, 1917 Not Enough Air by Masha Obolensky. Directed by Melia Bensussen. Set designed by Eric Levenson. Staged…
Read More“Avatar” is beautiful and otherworldly, but the film is so grounded in down-to-earth concepts that it restricts the viewer’s imagination rather than broadening it. An infinitely better and more complex recent space opera, “Mass Effect 2,” comes in the form of a video game. Is it art? Yes. By Justin Marble Over the centuries the…
Read MoreIf you’re heading out toward the Berkshires and haven’t yet made plans for Valentine’s Day, consider taking your significant other to brunch at Shakespeare & Company for a five-course meal before the matinee. By Helen Epstein Les Liaisons Dangereuses by Christopher Hampton. Adapted from the novel by Pierre Choderlos de Laclos. Directed by Tina Packer.…
Read MoreA recent piece in the New York Times provides further proof of the increasingly pernicious stranglehold marketing exerts on the production of new voices in the theater. By Bill Marx Let’s face it—the fastest growing segment of non-profit hiring in the arts over the past decade or so, marketing, is now pretty much in the…
Read MoreThis Rhode Island theater merits praise for its courage in staging dramatist Sarah Kane’s highly unorthodox portrayal of severe depression. 4:48 Psychosis by Sarah Kane. Directed by Tony Estrella. Presented by The Gamm Theatre, Pawtucket, RI, through February 7. Reviewed By Caldwell Titcomb The Gamm Theatre in Pawtucket merits praise for its courage in staging…
Read MoreBy Bill Marx The coming month offers some unusual examples of theater. Finished with “exploding” Shakespeare, the American Repertory Theater has decided to present the American classics unabridged. Produced by the Elevator Repair Service, “Gatz” is an evening of drama that revolves around a complete reading of “The Great Gatsby” by F. Scott Fitzgerald. Political…
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Theater Commentary: Isn’t It a Question of Relevance?
The reviews of the Huntington Theatre Company (HTC) production were generally ecstatic. And what could be timelier than an oft-produced American drama that focuses on the tragic costs of war profiteering?
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