Theater
Comic genres don’t die; they just become niche markets.
Ryan Landry has a sharp eye and ear for contemporary foibles, skewering stereotypes and pop culture icons with equal aplomb.
What makes “The Wholehearted” compelling is how it examines the metaphor of fighting as both a pubic career and as an aspect of domestic violence.
Dramatist Melinda Lopez’s “Becoming Cuba” holds your attention even after you see just where it is going and why.
Dramatist Savyon Liebrecht was recently in the Boston area for a residency with Israeli Stage — two of her scripts, both dealing with Freud and his legacy, received their world premieres here as workshop productions.
Theater is a public art. And yet, the irony here is that the most profound communication between individuals can be the least publicly communicable.
“Buster Keaton’s imagination and ideas are more surrealistic than Chaplin’s, and his stunts are astonishing in terms of their demanding technique, even today”.
Multi-talented performer Ibrahim Miari has written an insightful and funny one-man show that draws on his own life as the son of an Israeli Jewish mother and Palestinian Moslem father born in what is now the Israeli city of Akko.
Fort Point Theatre Channel made a call for submissions for a new play to serve as a companion piece to “Krapp’s Last Tape.” The result: a performance of Samuel Beckett’s classic with the world premiere of “The Archives” by Skylar Fox.
Recent Comments