Television
This is a light, diverting show, well-suited as background fodder, but unlikely to garner the same following as “The Office” or “Parks and Recreation.”
The movie version of “The Long Walk” doesn’t follow Stephen King’s narrative exactly, but it remains true to the spirit of the novel. Which means it is just as harrowing an experience.
The Netflix documentary “Fit for TV” reveals the truth about quickie weight loss.
The targets of “King of the Hill”‘s satire have changed — as Texas culture has changed — but the relationships, and who the characters are at their core, have not.
Hopefully, Hollywood will take note of this impressive dramatic accomplishment, and more Indigenous stories will follow.
As a legacy sequels “Happy Gilmore 2” one isn’t a hole-in-one, but it doesn’t roll into a sand trap either.
“Too Much”‘s swings from comedy to tragedy generate considerable whiplash.
Watching a historic reality show now takes on a different meaning than it did 20 years ago. Today, our reliance on technology borders on nightmare Ray Bradbury territory, so modern-day folks trying to survive on the frontier looks like an impossibility.
“Trial 4,” along with other currently streaming crime docuseries, examines the systemic biases, misuse of official force, and internal corruption that impede and subvert justice, undermine convictions, undercut integrity, and erode public trust.
All of the gritty challenges for today’s ballet companies are touched on in “Étoile”, including financial troubles, union strikes, rapaciously controlling donors, jealous, egomaniacal dancers, and more bumps in the road.
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