Television
“Stumble” is a welcome addition to the increasingly tired mockumentary genre.
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Directors Ken Burns, Sarah Botstein, and David P. Schmidt, along with screenwriter Geoffrey C. Ward, make learning history both accessible and enjoyable.
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When will there be a sitcom worthy of Tim Meadows’ talents?
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While not without its flaws, the series proves that traditional TV cop drama can be given a new spin, and it is especially gratifying when the innovation involves kick-ass women.
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“The Runarounds” is loosely inspired by the rock band’s actual experiences, which may be why the show feels more realistic than similar musician-centric dramas.
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This is a light, diverting show, well-suited as background fodder, but unlikely to garner the same following as “The Office” or “Parks and Recreation.”
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The movie version of “The Long Walk” doesn’t follow Stephen King’s narrative exactly, but it remains true to the spirit of the novel. Which means it is just as harrowing an experience.
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The Netflix documentary “Fit for TV” reveals the truth about quickie weight loss.
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The targets of “King of the Hill”‘s satire have changed — as Texas culture has changed — but the relationships, and who the characters are at their core, have not.
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Hopefully, Hollywood will take note of this impressive dramatic accomplishment, and more Indigenous stories will follow.
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Arts Remembrance: In Memoriam — Tom Stoppard