Review
“Cookin’ at the Queens” is an invaluable addition to the legacy of guitarist Emily Remler.
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As usual, Elemental’s pressings are pristine and the packaging is artful and informative, with new photos.
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A staging of “The Thanksgiving Play” needs to be rooted in the dramatist’s demand that the script shock: it should traumatize the ancestors of the perpetrators.
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Yiddish writer Celia Dropkin wrote not only of romantic love – a topic deemed quite suitable to women writers – but also of lust, anger, abasement, and violence.
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Wow. Stewart Goodyear can play Prokofiev. The Czech Philharmonic and Tomás Netopil are compelling advocates, playing Dvořák with plenty of rhythmic zest and tonal warmth.
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The opera repertory is so much richer than what gets staged nowadays; many of the most exciting recordings that came my way are of somewhat or entirely forgotten operas from past eras.
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It’s hard to imagine anyone connected with the movie world who is not appreciative of Phillip Lopate for the grace and intelligence and knowledge he has brought to film criticism.
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There are already countless fine documents of the Sibelius Concerto, but Canadian violinist James Ehnes finds new angles from which to examine this favorite; Frank Dupree is a dexterous keyboardist whose grasp of Nikolai Kapustin’s jazzy style is assured.
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The group presented a program of edgy music with the bloom of youth.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues