Review
Pascal Garnier’s characters slip through cracks, cross borders, pass through the thin mirrors of the self, and commit irreparable acts.
Read MoreSaturday’s was the most electrifying, exciting, spontaneous-sounding, inevitable performance of this warhorse (Beethoven’s Violin Concerto) I’ve heard.
Read MoreFor all the attention it receives and the level of cultural relevance it assumes House of Cards ought to be a much better series than its aggressive promotion makes it out to be.
Read MoreAt a mere 1 hour and 34 minutes, Chuck Workman’s documentary about Orson Welles is rushed and sometimes choppy, leaping through the filmmaker’s bountiful life.
Read MoreClub Passim’s vegetarian days are over — the new menu is all about “globally inspired New American cuisine.”
Read MoreActors’ Shakespeare Project’s superb production of God’s Ear honors this beautiful text.
Read MoreDon’t miss the “joyous shout and ringing cheer” of this delightfully boisterous version of The Mikado.
Read MoreThe Bridal Chair will not only answer many questions about this complicated, famous family; like Chagall’s best work, it will also linger in the mind.
Read MoreMoses(es) has many layers of metaphor and suggestion, but the surface is always visually intriguing, musically imaginative
Read MoreThe pop magic that Belle and Sebastian excels at struggles to survive on the band’s new album because its dance-heavy vibe plays against their strengths.
The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues