Review
“Captain America: Brave New World,” which is loaded with potential for drama and commentary, has less weight and punch than a butterfly’s fart.
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Yes, “Bridget Jones: Mad About the Boy” is a cheesy, predictable rom-com. But it doesn’t try to be anything that it’s not.
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John Patrick Higgins is a deft writer whose prose often displays a spare lyricism.
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Films can transform the way that their subjects are seen, sometimes by just making a subject visible. That was the case with three films which were among the best that I saw at Sundance this year.
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Cassandra is yet another critique of AI, but it’s also a provocative commentary on motherhood.
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Chinese-American composer Lei Liang’s eclectic collection of ten thematic tracks could pass as a soundtrack to an artistic, surrealist film or an intense, psychological drama.
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David Greenberg has brought to life not only one unusual man but also the tumultuous racial history of our country in the second half of the 20th century and into the early years of the 21st century.
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A pair of documentaries challenge the fantasies in the Boston Sci-Fi Film Festival
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A trio of documentaries: one explores an under-recognized Black musician, while the other two focus on a leftist Israeli comedian and crusading teen journalists.
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Whereas tap dancer Caleb Teicher is all idiosyncrasy, the Trinity Dancers wow by their perfect unison.
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