Review
The band tucked two songs from its new album into a career-spanning 95-minute show tilted toward six tunes from the Black Keys’ 2010 commercial breakthrough “Brothers.”
Joachim Raff, widely hailed for his instrumental works, is finally being recognized as a significant opera composer as well.
Grief and generational trauma have become the horror movie villains of our time, taking the spot once occupied by masked killers.
This impressive show of more than 32 works concentrates on what Isamu Noguchi could do with stone, sometimes just leaving it in abstract forms, either raw or polished, often imagining it (and cutting it) into what were meant to be essential shapes.
To be silent in the face of cruelty is to be complicit. And I refuse to be complicit. Surely we have to recognize that there are differences in taste. But to skewer another writer with such precision and glee? That is beyond the pale, especially in these perilous times.
The Netflix documentary “Fit for TV” reveals the truth about quickie weight loss.
Quibbles aside, this book’s profusion of illustrations is a windfall for artists, art students, and those keen on close looking and visual culture.
The Mercury Orchestra explored nostalgia, via performances of rare Finzi and familiar Respighi compositions.

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