Review
The story’s surprising degree of feeling for Joaquin Phoenix ‘s Joe saves “Eddington” from simply serving as fodder for overheated social media discourse and crusading op-eds.
A particular guttural sequence of phrases from accordionist Ted Reichman suggested a musical cadence, and I felt myself respond with the jazz fan’s involuntary noise of appreciation: “Unh!”
A trio of worthwhile docs at this year’s Tribeca Film Festival tour a city, stroll beneath the surface of the world, and stride through an inspirational life.
“The Slip” raises issues of race and entitlement, as well as the malleability of identity, all in one big, sloppy, and occasionally gorgeous package.
“Superman” is overstuffed and bloated — so much so that it’s impossible to get an emotional toehold in the story being told.
Composer Michael Daugherty’s lovely survey of 20th-century touchstones continues; violinist Philippe Quint plays a lineup made up (mostly) of commissions.
Poet Adrienne Rich’s journey serves as a model for meeting the challenge posed for artists and the rest of us today, confronted with the rise of authoritarian forces in America.
For fans of guitar music, two excellent new documentaries offer plenty of insight into impressive musical accomplishments as well as some memorable playing.
The at times chilling narrative of “The Atomic Bowl” raises probing and vexing questions about why we continue to face the threat of nuclear peril today.
Instead of living the life of James Bond, the spy hero of “Ghost Trail” copes with PTSD, the result of living in exile and surviving torture.
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