Review
Rachel Hadas’s book of prose poems is a set of meditations grounded in a life well lived and much observed, an experimental field for examining the nature of [human] potentialities.
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My reviewing this movie is like Proust reviewing a tea-dipped madeleine, but I think even old Marcel could spot when bits of the sponge cake were stale or too soggy.
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Mother Nature provided singular and poetic assistance during Sunday’s afternoon outing at Tanglewood.
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“The Heron’s Flight” is, in many ways, a hopeful antidote for the fear generated by these difficult times.
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This piquantly enjoyable docufiction emphasizes how movie spectatorship encourages empathy and understanding.
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The Museum of Fine Arts screens some ripples from the New Wave.
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Lamb of God’s show at the MassMutual Center was as spirited, fierce, and technically dazzling as any that the group has brought to these parts over the past two decades.
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I am grateful that Al Jardine (at 82, he’s showing signs of age) and Brian Wilson’s band are still bringing Wilson’s brilliant legacy to audiences.
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Two very influential and brilliant Cuban musicians, Albita Rodríguez and Chucho Valdés, join together to make a fine album; Chilean guitarist/vocalist/composer Camila Meza serves up a potent mixture of jazz and lyrics concerned with social justice.
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Fans who at least followed the band through its heyday in the late ’80s and early ’90s couldn’t have predicted the Mekons would wind it back in 2025 behind a new album just as galvanizing as their past catalog.
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