Review
Conductor René Jacobs restores missing bits of this beloved opera’s story, and Ukrainian soprano Kateryna Kasper glows as Ännchen.
The People We Hate at the Wedding is far from one of the best entries in the comic wedding canon.
The music of Cameron Lew, in the persona of Ginger Root, makes us confront a fundamental truth: the familiar, after the passage of time, becomes the exotic
Intimacy, whether physical or emotional, is continually challenged in Julia Jacklin’s Pre Pleasure.
The series is wise to center its attention on Jeffrey Dahmer’s victims as often as possible. This is a heartbreaking saga of lives lost to a homicidal maniac.
Sometimes, cartoons should just be aimed at kids. The Soccer Football Movie has no pretensions: this is a glorious goof fest that draws on the hallowed tradition of slapstick comedy.
Billy Strings injects some contemporary vibes into Me/And/Dad, but this is first and foremost a back-to-the-roots album.
Charlie’s Good Tonight does a fine job of illuminating Charlie Watts’ personality and paying homage to the drummer’s admirable legacy.
What Kyle Abraham has done is to conjure up a wonderfully confusing vision into the myriad possibilities raised by the cycle of death and life again.
Underlying all of these pieces is the sensibility of the émigrée, the person who has had to reinterpret everything in her life.
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