Review
More proof that, with pianist Igor Levit, Beethoven had found new interpreter, not only worthy, but important.
Pianist Beatrice Rana, joined by the Chamber Orchestra of Europe and conductor Yanick Nézet-Séguin, plays the daylights out of Clara Schumann’s Piano Concerto in A minor.
In this complex and enigmatic film, director Davy Chou has skillfully conjured up both a sense of time’s passage and a mood of timelessness.
Chamber music under Shakespeare’s spell is responsible for one of the high points of the Chameleon Arts Ensemble’s current season.
We can only wonder what Katherine Mansfield might have given us had she lived a normal life span, yet we should cherish what we have, as Claire Harman has done so beautifully.
If the production sends at least some of the audience members back to the magnificent poetry of The Canterbury Tales, it would have done a mitzvah.
Two campus structures and one downtown office building speak a new visual language.
This year’s Berlin International Film Festival launched a couple of films aimed at a mass audience. The results were mixed.
The Quiet Girl is the first Irish language nominee for the Best International Feature Oscar, and it’s not hard to see why this subdued gem of a film is capturing hearts.
Two takes on the orchestral music of Prokofiev — one impish and unpretentious, the other revelatory.
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