Review
This doesn’t sound like any other quartet I know.
In terms of documentary-subjects-you’ll-love-to-hate, “Bitconned”‘s reptilian Ray Trapani is at the top of the line of bottom feeders.
Mary Bevan, silvery soprano beloved in Boston, enchants anew in one of Handel’s most frequently performed and recorded operas.
Prison doesn’t “fail” so much as it succeeds at missions nobody in authority wants to acknowledge: punishment, humiliation, and separation from the community beyond the walls
No spoilers here about what lies beneath the film’s dreamy layers of story, but some viewers will find the narrative pulling them helplessly forward, sucked into a maelstrom of pain and trauma and love and regret and memory.
Don’t underestimate the elemental power of a story that takes the reader inside the mind and heart of a good and decent man caught in a helpless situation.
In this performance, Blue Heron conveyed enough merriment for Christmastime and beyond.
Here is a composite review of some recent fiction by women. Some are more successful than others, but all are worth a look.
Anka Muhlstein’s book is probably best read as a biography of a hard-working family man and not as a thorough assessment of Pissarro’s art.
Jazz Reviews and Appreciations: Sheila Jordan at 95 and Ran Blake at 88
It is something of a miracle that we can still hear Sheila Jordan and Ran Blake in live performance, and those experiences should be treasured by their audiences because those opportunities are so precious.
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