Music
A relative lack of shows leaves for a somewhat empty, final summer month. However, there should be a lot more going on once the college students return to Boston in September.
Every musician brings his idiosyncratic personality to his (or her) playing, and yet, even after four big pieces, I was not sure what Russell Sherman’s non-piano or piano personality was.
On CD, the award-winning Emerson String Quartet are terrific, but live, they are even better.
For those who imagine Tanglewood only as concerts in the huge shed which seats 6,000, these Sunday morning concerts offer a more intimate experience as well as a chance to hear modern pieces they never would hear in what we all call the “regular concert fare,”
Tornadoes in the Connecticut River Valley haven’t stopped this summer’s festivals in Springfield, Hartford and Greenfield. Plus, Boston celebrates Latino and African culture.
Sitting down this evening to review “Bon Iver,” something happened. My strongly negative initial impressions of the album changed into an appreciation of the mystical spirit of the music, its harmonious chords and their reflection of the harmony of nature.
“The Day Is Coming” continues the album’s momentum. Similar to “Victory Dance,” the song starts with a chorus of odd vocals. However, these are catchier, and are soon followed by the arrival of spastic guitar, pounding drums, and chord-tastic pianos.
Enthusiasm simply wasn’t enough to salvage the production — the musical comedy 2010 contains too many pitfalls to overcome.
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