Film
The story’s surprising degree of feeling for Joaquin Phoenix ‘s Joe saves “Eddington” from simply serving as fodder for overheated social media discourse and crusading op-eds.
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A trio of worthwhile docs at this year’s Tribeca Film Festival tour a city, stroll beneath the surface of the world, and stride through an inspirational life.
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“Superman” is overstuffed and bloated — so much so that it’s impossible to get an emotional toehold in the story being told.
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For fans of guitar music, two excellent new documentaries offer plenty of insight into impressive musical accomplishments as well as some memorable playing.
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The at times chilling narrative of “The Atomic Bowl” raises probing and vexing questions about why we continue to face the threat of nuclear peril today.
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Instead of living the life of James Bond, the spy hero of “Ghost Trail” copes with PTSD, the result of living in exile and surviving torture.
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This is an auspicious feature debut, a doomsday thriller that touches on resonant topical issues.
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In a film that maintains a deft, tightrope balance of tone, writer-director-star Eva Victor has delivered an acerbically funny depiction of how we learn to cope in a world where bad things can (and often do) happen.
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“Art is anything you can get away with,” said Marshall McLuhan. Three films that premiered at the Tribeca Film Festival suggest that he was right.
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Film Retrospective: “Floating Clouds … The Cinema of Naruse Mikio” — Dedicated to Women’s Passions
Film scholars, programmers, and the many filmmakers influenced by Naruse Miko value him as having crafted well-rounded portraits of women and their lives across decades of Japanese cultural changes.
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