Film
The first of three review round-ups from this year’s London Film Festival’s excellent slate of films.
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“Archive” sprung from Sofia Coppola’s desire to record what her mind’s organized chaos says about her and her films.
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This is a Strindbergian dance to the death between a powerful, accomplished woman and a husband tormented by his own sense of failure.
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Werner Herzog likes the odds in “Every Man for Himself and God Against All.”
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What happens when, through unwillingness or incapacity, memory is lost or forsaken? Two documentaries at the CineFest Latino Boston explore some answers.
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Watching Cassandro become the “Liberace of Luchadors” is enthralling in itself, but we are also given the drama of seeing the protagonist wrestle with his own personal demons.
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The unpleasantness of the film’s first sex scene turns out to be a foreshadowing of a refreshingly curdled vision of insecurity in the 21st century.
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In her debut feature, music video director Jacqueline Castel supplies a moody and explicitly queer spin on the metaphor of monster as a maligned queer subject.
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Four reviews of films about existence — past and present — for the marginalized in Scandinavia.
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Reviews of three dark films that probe the crisis of authority, immigration, and feminism in Europe
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