Film
Like the novel it is based on, “Eileen” eventually becomes a morally ambiguous, and twisted, noirish mystery.
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In this promising filmmaking debut of Cord Jefferson, we’re given a too-rare peek in cinema into upper middle-class African-American life.
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Frederick Wiseman’s latest documentary — an immersive visit behind the scenes of a three-star Michelin restaurant — is a savory, irresistible treat.
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“The Boy and the Heron” is a work of true beauty that fits squarely within veteran director Hayao Miyazaki’s gorgeous and emotionally resonant oeuvre
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The heart, intelligence, and the artistry of “Godzilla Minus One” makes it one of the best kaiju films ever made.
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This volume is a study of what can happen when two art forms engage in a mutually beneficial conversation.
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Three first-rate documentaries at DOC NYC that examine the crimes of the past and the fragility of the present.
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Simply put, there’s nothing (and no one) out there quite like what Neil Breen is putting out into the world, and for that alone, we should be grateful.
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How well “The Wizard of the Kremlin” will be received here is an interesting question, especially when the novel is evaluated in the light of Mstyslav Chernov’s visceral documentary “20 Days in Mariupol.”
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Film Anniversary: From Punchline to Plausibility — The 50-Year Transformation of “Soylent Green”
“Soylent Green” should be seen as a work of future history, a docudrama of things that, in 1973, had yet to happen but are happening now, 50 years later.
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