Film
In his latest feature, filmmaker Wim Wenders extols the simple life.
Despite its flaws, “Dune: Part Two” is a grand, sprawling, and deeply intelligent science-fiction epic.
“Drive-Away Dolls” is the worst Coen brother movie ever made.
“Lisa Frankenstein” is the first delightful surprise of 2024, destined for weird girl slumber party greatness in a few years time.
The plight of refugees is given a fairy-tale treatment in “Io Capitano.”
A 100-year-old novel provides the basis for some sumptuous moviegoing.
Nature has long been a perennial topic for cinema and, given the escalation of the climate crisis, the environmental context of these three fine films feels particularly urgent and poignant.
Has there ever been a better or more accurate film about young girls on the edge of adulthood testing out their sexuality?
“How to Have Sex” doesn’t criticize teenage girls for wanting to get laid, but it points out how the cultural environment in which they do so is directed entirely towards male pleasure
Three sure-handed debut movies at this year’s Sundance Film Festival, including a documentary directed by Lucy Lawless and features from Thea Hvistendahl and Jack Begert.
Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy