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Despite all the irritating behavior exhibited by both spouses in “Journey to Italy,” the film is ultimately a work of great compassion.
“The Iran Job” is an engrossing documentary that cannily integrates basketball and a look at Iranian street life in the months leading up to and including the Green Movement protests.
“We’re in this really great place now where the music [klezmer] can sound fairly traditional in style but at the same time we can do more in-depth arrangements.”
Every aspect of “Yeezus” has been shaped to alienate Kanye West’s fanbase – from the lack of cover art to the undernourished track list of ten songs.
Well, maybe this isn’t the last time. Maybe this isn’t the last tour. Maybe they’ll be around for a few more years at least. And why the hell not? The Stones have still got it, and they’re almost worth the money.
There is lots to praise (lavishly) in BEMF’s production of “Almira”: a large cast with no weak links, fabulous musicians, and inspired sets, costumes, and dancing.
Despite its drawbacks, “Aleko” is a remarkably satisfying opera and filled with much beautiful music.
Even with its audience-unfriendly head games and confusions, “Post Tenebras Lux” is an imposing spiritual work, and totally original.
While the nostalgic exposition pays dutiful homage to the original story, the gangbuster finish should satisfy the audience’s summer techno-lust.
Dame Emma, now sixty-four, sat and sang just quietly enough and with the right measure of mystery and stillness to draw the audience in, and to keep them there in a trance.
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