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Whatever really happened in those hectic weeks of December 1791, this modern take on the creation of Mozart’s Requiem might well turn out to have classic possibilities of its own.
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There’s a great book to be written about how everyday users create the content that powers the web, while billionaires reap the profits. But this one isn’t it.
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Portia Zvavahera’s seven large paintings, including three new pieces, focus on the umbilical nature of her dreams, in particular those featuring imagery which reaches out across unusually linked cultural, historical and religious touchstones.
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Maybe “A House of Dynamite” wants to tantalize us with a nightmare from which there is no escape in order to distract us, briefly, from the ongoing disasters that we are compelled to face and overcome.
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One of the best things about the 40-minute selection from “The Lamb Lies Down on Broadway” that stood at the center of guitarist Steve Hackett’s near-three-hour show was its focus on the music without visual bolstering.
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Novelist Dan Jones excels in re-imagining the life of common people in wartime, in particular a small group of English fighters embroiled in the so-called Hundred Years War (1337–1453) between England and France.
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Ultimately, all of the digressions, anecdotes, and mini-profiles in “We The People” seem like an avoidance mechanism whose purpose is to steer clear of a constitutional crisis that is too painful to face.
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If there ever was anyone to handle Hayim Nahman Bialik’s broad, impressive, and impressionistic craft with the acute passion, it is scholar and poet Peter Cole.
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Raise a glass to Lenny Bruce, champion for—and martyr to—Americans’ First Amendment right to free speech. October 13, 2025, is the hundredth anniversary of his birth in Mineola, New York.
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Visual Arts Commentary: The Boston Public Art Triennial — Recognizing and Celebrating Our Visual Arts Connections
Through the efforts of the Boston Public Art Triennial, the City of Boston’s civic life and built environment have been enhanced and strengthened. Bravo!
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