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Conductor Robert Treviño celebrates what we might call the dawning of the North American vernacular school; composer Ethan Iverson displays a fascination with instrumental color.
“Queer” breaks new artistic ground for an artist whose visionary talent is already well-established.
It may be shot in B&W, but “Day of the Fight” is not a retread of “Raging Bull” — though Joe Pesci is present.
Children will delight in two books that celebrate creativity and imagination, and one that shows a new way of seeing the world through maps.
This week’s poem: Ted Pearson’s Selections from “String Theory”
Ya gotta understand — corporate assholes are like Sauron’s boss, Morgoth. They are incapable of creation. They can only appropriate and warp, like how Morgoth appropriated and warped Elves to create Orcs.
Both Stereophonic and Babemake compelling drama out of the volatile world of pop music-making.
A look at three exhibitions by New England artists who are concerned about climate change and gun violence.
“What Comes from the Night’ testifies to John Taylor’s complex bond with nature, a generous alliance that includes moments of introspection and melancholy.
The aim is to evoke, critically, a period when adventure, for men, was about running away to Cuba or going on Kerouac-inspired road trips.
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