Dance
By Debra Cash Tap superstar Savion Glover effortlessly bridges the jazz and rap generations. Improvography is a word coined by the late Gregory Hines. Neologisms are about grabbing the power to make definitions; they assert that language is not specific or expressive enough to make your meaning clear. When tap dancer Savion Glover uses “Improvography”…
Urban Bush Women go back to the past in the name of a more communal and compassionate future. By Debra Cash View Gallery The names of Sojourner Truth, W.E.B. Dubois, Shirley Chishom and Ossie Davis roll down like a mighty stream. On stage, Amara Tabor-Smith of the Urban Bush Women reaches across space, at turns…
The challenge of building a new dance audience lies in presenting, and contextualizing, thought-provoking work
Dance icon Bill T. Jones confounds expectations about race and the power of stereotypes in two new dance pieces. “Reading, Mercy and the Artificial Nigger” and “Mercy 10×8 On a Circle” by Bill T. Jones/Arnie Zane Dance Company By Debra Cash Bill T. Jones would no doubt take umbrage at being compared to the white…
A new dance show by Rennie Harris serves as a valuable response to MTV’s commercialization of hip hop.
Students and audiences of tomorrow deserve exposure to great dances, but they are not always getting them.
The number of solo dance performances is growing, and it is not only because they are cheap to produce.
An indispensable new biography of Broadway legend Jerome Robbins reevaluates his life and work.
Dance Commentary: Trust Art, Not Theory
By Debra Cash A retrospective chronicles the four-decade career of radical dance giant Yvonne Rainer. Yvonne Rainer: Radical Juxtapositions 1961-2002 at the Carpenter Center for Visual Arts in Cambridge, MA What Rainer has been doing isn’t hard to see, as long as it isn’t theorized into academic incomprehensibility. Over time she has been called a…
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