Dance
Instability is key to Brian Brooks’ choreographic agenda. Some of the dancers crouch on their hands and feet and are transformed into slow-moving mounts for the dancers balancing on their backs.
Read MoreThis exhibit dedicated to Diaghilev and The Ballets Russes is well worth a trip to Washington D.C. because of the amazing objects on display.
Read MoreThis week, Devon Carney was named Artistic Director of Kansas City Ballet.
Read MoreThe ebullient entertainer Maurice Hines held court this week at a packed Cutler Majestic Theater, along with a score of other very talented musicians and tap dancers. What an evening!
Read MoreYes, there is dance in New England this summer, but those who love motion may need to embark on a little themselves to journey further afield to watch it. The trip, I can assure you, will be worth it.
Read MoreFrederic Franklin was the repository of much of the tradition of 20th century ballet, and he carried on these values by personifying the essence of the genre.
Read MoreIn George Balanchine’s Serenade and Symphony in C and in Wayne McGregor’s Chroma, architecture comes to the fore, but not exactly conveying the message that company director Mikko Nissinen seems to have intended.
Read MoreChhandika is dedicated to keeping the intricate and expressive art form of Kathak dance relevant to contemporary audiences, particularly to those who are not familiar with the Ramayana.
Read MoreDon’t be late for a very important date when the Coolidge Corner Theatre hosts a Sunday morning, high-def broadcast of the Royal Ballet’s production of Christopher Wheeldon’s celebrated “Alice’s Adventures in Wonderland” on May 5.
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