Dance

Dance Review: Faye Driscoll — Dull Deconstruction

October 24, 2017
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Faye Driscoll’s muddled version of taking artifice apart is far too familiar; we’ve done it all before, seen it more than once.

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Dance Review: Tanztheater Wuppertal Pina Bausch at BAM

October 2, 2017
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I will continue to watch Wenders’s Pina, over and over—but nothing can replicate being in the room with the real deals.

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Dance Review: DanceUP’s Compound Fractions

September 27, 2017
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Local chauvinism aside, the evening was a diverse one, at least in terms of dance genres.

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Dance Review: “no plan b” — An Amazing ‘A’ Game

August 31, 2017
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no plan b is a mind-expanding journey that toys with transformation: of time, space, the elements, and the serendipity of discovery.

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Dance Review: Skeleton Architecture — Embracing the Silence

July 27, 2017
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I enjoyed the working-out of all this material, and the beautiful dancers, but I sometimes felt I was back in the consciousness-raising ’60s and ’70s.

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Dance Review: Bubbles at the Dance Complex

June 23, 2017
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The idea of the project is to cross-fertilize new dance in the two cities (Boston and New York) by presenting choreography in cabaret settings.

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Dance Review: L.A. Dance Project — Dancing All Over the Place

May 24, 2017
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All three pieces delivered eclectic dancing, appealing bodies, unostentatious scenic effects, and trendy but serious music.

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Dance Review: Beth Gill’s Passages

May 16, 2017
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Offering a carefully calibrated, nearly static universe, Beth Gill relies on the audience’s imagination to fill in any question marks

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Dance Review: A Ratmansky Evening at New York City Ballet

May 11, 2017
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Two works by one of the most-in-demand choreographers of our time received powerhouse performances from the New York City Ballet.

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Dance Review: Classical, Three Ways, at Boston Ballet

May 10, 2017
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All of three of these ballets adapted the classical vocabulary and demonstrated that constant evolution is what keeps classicism alive.

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