Dance
The tap challenge, sometimes good natured, sometimes prickly, is at the heart of both of these remarkable documentaries.
The Boston Ballet’s program was meant as a tribute to the 100th anniversary of Finnish independence.
A festival of Gumboot and Pantsula at Rhode Island College featured a large cast of virtuosic dancers and engaging musicians.
Faye Driscoll’s muddled version of taking artifice apart is far too familiar; we’ve done it all before, seen it more than once.
I will continue to watch Wenders’s Pina, over and over—but nothing can replicate being in the room with the real deals.
Local chauvinism aside, the evening was a diverse one, at least in terms of dance genres.
no plan b is a mind-expanding journey that toys with transformation: of time, space, the elements, and the serendipity of discovery.
I enjoyed the working-out of all this material, and the beautiful dancers, but I sometimes felt I was back in the consciousness-raising ’60s and ’70s.
The idea of the project is to cross-fertilize new dance in the two cities (Boston and New York) by presenting choreography in cabaret settings.
All three pieces delivered eclectic dancing, appealing bodies, unostentatious scenic effects, and trendy but serious music.
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