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Isaiah Sheffer’s lasting contribution will be his almost single-handed revival of interest in that most beguiling of fictional forms, the short story.
Read MoreWhy, Rita Costanzi asks incredulously, do harpists, albeit occasionally, marry other harpists: “Does the word masochist mean anything to you?”
Read MoreThe more cerebral visitor may leave “Collision18:present” wondering if, like the classic definition of what constitutes pornography, ‘cyberart’ is firmly situated in the eye of the beholder (or of the curators).
Read MoreWith “In Seven Days,” Thomas Adés seems to have developed a musical language that’s complex yet not forbidding: there’s no sense that his music is weighed down by expectations of the past, even as he freely refers to archaic compositional forms.
Read MoreThe Huntington Theatre Company is hosting an exemplary revival of Harold Pinter’s fascinating 1978 work, thanks to the spot-on direction of Maria Aitken.
Read MoreYvan Goll may be the great shape-shifter, the Zelig, of twentieth-century poetry.
Read MoreA collection of short films and a documentary at The Boston Jewish Film Festival serves up plenty of decision, determination, devotion and delight.
Read MoreBy Bill Marx Arts Fuse: Tell me how Leeches came about, given how different it is from your other books, at least those in translation. David Albahari: It is different from other books of mine. But then, there were several things that made me, in the end, write the book. First of all, I wanted…
Read MoreIn any piece, the remarkable pianist Jason Moran might go to the very edges of the harmonic movement, until he on the verge of free jazz.
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Arts Feature: Best Movies (With Some Disappointments) of 2025