Steve Erickson
Asteroid City is hard to pin down, largely because it holds its ideas about nostalgia and grief at arm’s length.
Wildly imperfect but intriguingly ambiguous, the film’s flaws and contradictions are a virtue because its purported saintly hero is so hard to pin down.
There is little doubt that Joyland‘s subject matter is what drew international attention.
It features fine performances, but the comedy-drama, You Hurt My Feelings avoids placing too much on the line. It exists in a comfortable middle ground — nothing is ever taken to an extreme.
Master Gardener is more Pinterest mood board than story.
Showing Up offers a much different kind of artist and art scene than we’re used to seeing in film.
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