Sarah Osman
The enormously entertaining “A Virtuous Business” also offers a lesson in nerve and resilience that women everywhere should learn from.
There are valuable lessons here, but I are afraid that this docuseries will be overlooked among all the more enticing, and sensationalized, witchy watchings.
Was another helping of “The Platform” necessary? Maybe. But only if it was done right — and this is half-baked sci-fi horror.
“English Teacher” is a wearier, snarkier version of “Abbott Elementary”.
By not giving the material a refreshing 21st-century update, the film version of “Uglies” is an unattractive antique.
Like the iconic series it covers, “After Baywatch” is all gloss, an airbrushed look at a show about sexy lifeguards.
It is early in the season and my heart is hopeful, dear reader, that Bridgerton will re-capture its former magic.
What are we supposed to feel as we are pulled from horror to melodrama to comedy?
So another season would be in order for “The Grimm Variations” — if it would strive to be less chaotic.
The Aussie teen soap falls victim to the dreaded sophomore slump.
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