Sarah Osman
The fourth and final season of Danny McBride’s demented comedy comes to a satisfying conclusion.
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With its fabulous ’50s costumes and visceral wrestling scenes, “Queen of the Ring” is a blast from the past.
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“Fable for the End of the World” reflects our own uncertain condition — there are possibilities unknown, alternatives that even would-be godlings like Elon Musk and his ilk have not accounted for.
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Yes, “Bridget Jones: Mad About the Boy” is a cheesy, predictable rom-com. But it doesn’t try to be anything that it’s not.
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Cassandra is yet another critique of AI, but it’s also a provocative commentary on motherhood.
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For those who are new to rom-coms, “Falling in Love at the Movies” is an informative introduction to their mechanics.
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In their latest divinely idiosyncratic romp, Wallace & Gromit take on the threat of that most impersonal and worrisome technology: AI.
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Let’s hope that “The Last Showgirl” launches a new phase in Pam Anderson’s career.
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It’s wonderful to see the cinema do justice to the magic of this beloved musical.
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“Hot Frosty” is dumb all right, but it’s also endearing, funny, and cute.
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