Sarah Osman
“Jury Duty: Company Retreat” is an amusing lampoon with an economic message: it is is pro-small business and anti-private equity.
While each female protagonist makes some rough decisions, the series never pigeonholes them as villains or saints.
“Hoppers”‘ climax is a valuable reminder that none of us — from mammal to ant — are safe from the fury of a Mother Nature we have badly wronged.
The ratio between fantasy and real life felt off in this uneven film version of Kander and Ebb’s 1990 musical.
Considering its hard-to-fault premise, Peacock’s “The ‘Burbs” should be a lot more fun than it is.
For all its rewards as a gross-out experience, “The Doctors’ Riot of 1788” has an ethical question at its core: does the search for medical knowledge outweigh our respect for human life and death?
“Twinless” is by far the most surprising film I’ve seen in a long time. I relished the emotional rollercoaster ride director and writer James Sweeney takes us on.
The problem is that, as “Eternity” goes on, the film starts to feel as if it is taking an eternity.
This well-done mystery supplies an insightful look at how money, politics, and religion have become intertwined—and where that may be taking us.
“Wicked: For Good” has its faults, but it still stands out as one of the stronger adaptations of a musical to film.
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