Michael Morano
“Die My Love” is a healthy bitch-slap, its shock encouraging young folks to dismiss the bullshit about relationships too many other movies have hawked over the past decade and a half or so.
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“HIM” works incredibly well as a Grotesque, and by that I mean the film takes the incipient, creepy ideologies of pro football and blows them up to terrifying and absurd proportions.
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The acts of reinvention in “Mission: Impossible–Dead Reckoning Part One” are revelatory, object lessons for how all future summer sequels can be written.
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Armed with a quarter of a billion dollars from the people who chucked him to the MAGA wolves, director James Gunn has created one of the most mean-spirited and nasty movies to have come down the pike since Straw Dogs.
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In Infinity Pool, people who are dead inside essentially play with their own corpses as shiny, new toys. The savagery of that idea is, simply, delicious.
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Arts Remembrance: Tribute to Jazz Producer Alex Lemski