Lauren Kaufmann
As an artist, Allan Crite was always observing, drawing, and thinking about his Boston—the buildings, streets, parks, and playgrounds of Lower Roxbury and the South End.
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The exhibit highlights the interplay between Grace Hartigan and the circle of modern poets who became her friends, supporters, and in some cases, patrons.
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By engaging with this work, museum visitors are likely to gain a greater appreciation for — and understanding of — the wide-ranging talents of Indigenous artists.
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The book provides ample proof that activist artists, when determined, can use their work to influence our thinking in positive ways, and effect change.
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Viewing the art while strolling along the Muddy River gives city-dwellers and visitors a reason to linger and enjoy one of the city’s oldest and most beautiful open spaces.
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This exhibition is evidence of the venerable museum’s interest in expanding its collections so that more voices and perspectives can contribute to our understanding of our own complicated history.
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Phyllis Ewen ponders humanity’s perilous relationship with the earth, expressing her concerns through her artwork.
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While he paints, Stanley Whitney listens to and is inspired by jazz. Miles Davis’s album “Bitches Brew” is his constant companion in the studio.
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Reluctant to explain the meaning of her art, Leonora Carrington chose to let the magic and mystery of her inner life reveal itself through the imaginary animal/human creatures and fantastic landscapes of her paintings.
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While offering a window into artist Fabiola Jean-Louis’s examination of her cultural and personal identity, the exhibit also provides a deeper understanding of the Haitian struggle for freedom.
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Arts Remembrance: In Memoriam — Tom Stoppard