Jessica Lockhart
Varone and dancers made skillful use of some of the most luxurious movement vocabulary available in contemporary dance
The blend of rhythmic dance and gorgeous music made for a very harmonious collaboration.
Boston Dance Theater is driven by the belief that a community is strengthened by an exchange of ideas.
The five performers with Down syndrome danced along with three professionally trained dancers without disabilities — and they all looked wonderful.
It was a mind-blowing experience. Countless times in dance performances a choreographer strives to make movements on stage mimic music. But Dianne McIntyre was dramatizing a much deeper, more organic connection.
Homer’s use of ancient myth is used to show that women, like the sea, have been — and will continue to be — the ecological instigators of growth and transformation.
Sara Juli has proven herself to be a master of using humor to examine subjects that are uncomfortable and not at all comic.
Flamenco is big, bold, and fully human as it (often) traces the tensions of courtship, indulging in the sensual and the aggressive.
The point was clear: we had been watching an elaborate invitation, a dance made to tempt the magical crows.
Grupo Corpo’s dancers are as technically astute as other top dance companies, but they excel at conveying a lushness of movement that feels sensual rather than sexual.
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