Jessica Lockhart
The five performers with Down syndrome danced along with three professionally trained dancers without disabilities — and they all looked wonderful.
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It was a mind-blowing experience. Countless times in dance performances a choreographer strives to make movements on stage mimic music. But Dianne McIntyre was dramatizing a much deeper, more organic connection.
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Homer’s use of ancient myth is used to show that women, like the sea, have been — and will continue to be — the ecological instigators of growth and transformation.
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Sara Juli has proven herself to be a master of using humor to examine subjects that are uncomfortable and not at all comic.
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Flamenco is big, bold, and fully human as it (often) traces the tensions of courtship, indulging in the sensual and the aggressive.
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The point was clear: we had been watching an elaborate invitation, a dance made to tempt the magical crows.
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Grupo Corpo’s dancers are as technically astute as other top dance companies, but they excel at conveying a lushness of movement that feels sensual rather than sexual.
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Bravo for the Boston Dance Theater’s decision to venture outside of Boston and perform at an interesting venue in Portland, ME.
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