Bill Marx
By Bill Marx The coming month offers some unusual examples of theater. Finished with “exploding” Shakespeare, the American Repertory Theater has decided to present the American classics unabridged. Produced by the Elevator Repair Service, “Gatz” is an evening of drama that revolves around a complete reading of “The Great Gatsby” by F. Scott Fitzgerald. Political…
by Bill Marx For those interested interested in the work and lives of classical musicians, or if you teach feature writing, magazine writing, cultural reporting or non-fiction narrative, the profiles in “Music Talks” make a perfect holiday gift or useful addition to the classroom. It is a volume of 4000 word-and-under profiles of celebrated artists…
Because of my gig at WGBH’s The World I read works in translation when I have the chance. Here’s an idiosyncratic round-up of first-rate literary stocking stuffers from around the globe. By Bill Marx Some of my favorite books from around the world this year raise the thorny issue of the relationship between literature new…
By Bill Marx The prospect of holiday cheer on stage is pretty depressing to contemplate after the soporific treacle of Paula Vogel’s PC-crazed “A Civil War Christmas: An American Musical Celebration,” which culminates in the unintentionally eye-popping vision of Walt Whitman, dressed as Kris Kringle, visiting a dying Jewish soldier. For those reluctant to take…
By Bill Marx Much new material since the October update for those with an interest in international literature. My latest podcast features an interview with journalist and author Justine Hardy, whose latest book (published by the Free Press), “In the Valley of Mist: One Family in a Changing World,” continues her exploration of life in…
What is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts. The aim is to combine editorial integrity with the community-making power of interactivity. This is our first session. Review by Ian Thal Review by Timothy Longman Review by Peter Cohen Artist response by Shawn LaCount Summary…
By Bill Marx Somewhere an enterprising graduate student is working on a trenchant study of the correlation between holiday stage entertainment and the American economy. When things were looking bright and profitable the shows became cynical and comic, with mischievous elves placing whoopee cushions under our delusions of good cheer. Now that unemployment is high…
by Bill Marx The Boston Book Festival, which kicks off its existence this Saturday, is an inevitability that for some puzzling reason wasn’t a reality. Boston is a determinedly readerish town, yet it is the only one of America’s major cities that doesn’t have a book festival. Thankfully, BBF organizer Deborah Z. Porter remedies the…
By Bill Marx A number of new pieces on World Books since the last update in September, including my podcast interview with Benjamin Moser about his biography of Clarice Lispector (1920-1977) entitled “Why This World” from Oxford University Press. The Brazilian writer’s challenging stream-of-consciousness technique, lack of political bite, physical beauty and, Moser argues, her…
The governing idea of “A New Literary History of America” is that it is about a made-up nation and a made-up literature. That means every time an author, a thinker, an actor in our national story sets out to do something that person discovers America for the first time. Each actor in the drama of…
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