Bill Marx
In “Fat Ham,” Black pain and repressed desire are transformed into a celebration of liberation and empowerment — once the villain du jour, the patriarchy, has been dispatched.
Dramatist Donald Margulies seems to be putting his hand on the heart of the heartland — as well as taking the pulse of a pair of aging boomers.
Canada is far enough from New York and Broadway to ignore their siren drum beats.
For a semi-Shavian like myself, the Shaw Festival once again proved that it was the place to be.
This uncomplicated version of Shakespeare’s tragedy comes off as a rousing tale of murder under a starlit Boston sky that obligingly lights Macbeth’s “black and deep desires.”
Anna Ziegler’s play is based on a true story that still resonates powerfully: how science (and society) hides uncomfortable truths.
In the Actors’ Shakespeare Project’s likable staging of As You Like It, love looks pretty durable.
The Gaaga’s humor is driven by rage, anger, and disgust, emotions that are not often found in our domesticated (for easy consumption) theater scene.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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