Bill Marx
Canada is far enough from New York and Broadway to ignore their siren drum beats.
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For a semi-Shavian like myself, the Shaw Festival once again proved that it was the place to be.
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This uncomplicated version of Shakespeare’s tragedy comes off as a rousing tale of murder under a starlit Boston sky that obligingly lights Macbeth’s “black and deep desires.”
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Anna Ziegler’s play is based on a true story that still resonates powerfully: how science (and society) hides uncomfortable truths.
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In the Actors’ Shakespeare Project’s likable staging of As You Like It, love looks pretty durable.
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The Gaaga’s humor is driven by rage, anger, and disgust, emotions that are not often found in our domesticated (for easy consumption) theater scene.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Over the years I have seen several productions of Coriolanus, and this one is by far the most perfunctory.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Arts Remembrance: Tribute to Jazz Producer Alex Lemsky