Bill Marx
Over the years I have seen several productions of Coriolanus, and this one is by far the most perfunctory.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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If the production sends at least some of the audience members back to the magnificent poetry of The Canterbury Tales, it would have done a mitzvah.
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It is refreshing to encounter a script that is so determined to keep audiences off-kilter as it goes about undercutting domestic business as usual.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Made in China 2.0 is valuable as an act of theatrical witnessing, the voice of a rebel who is facing considerable challenges from the powers that be.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Our theater critics pick some of the outstanding productions in a year haunted by COVID.
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Arts Commentary/Interview: Some Thoughts on The Climate Crisis and Theater
How can we create theater that practices critique and empathy in relation to climate change that simultaneously challenges and lifts us, provokes and provides a muscular hope?
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