Aaron Keebaugh
Few conductors in Boston have a feel for late Mahler the way Benjamin Zander does.
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The combined concert and gallery experience made one reconsider old clichés — E.M. Forster’s advice that art “only connect” took on an amplified resonance.
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Earl Lee, the BSO’s assistant conductor, pulled off a memorable debut. Let’s have him back in the subscription series again, and soon.
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Conductor and composer Thomas Adès brought more of his intriguing music to Symphony Hall this weekend with two selections from his recent ballet, The Dante Project.
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What emerged was a lithe, almost Shakespearean rendition, complete with moments of unexpected humor and an infectious dramatic vitality.
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Under the baton of Andris Nelsons, a listless Boston Symphony Orchestra delivered flat renditions of works by Shostakovich and Brahms.
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The Emerson Quartet’s greatest strength lies in its ability to temper individual excess in favor of a lush corporate blend.
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