Critic at Large
Gerald Peary is a professor of Communications and Journalism at Suffolk University Boston, the curator-programmer of the Boston University Cinematheque, and the General Editor of the University Press of Mississippi “Conversations with Filmmakers” series. For 15 years, he was a film critic for the Boston Phoenix. He has authored nine books on the cinema. He was a Fulbright Scholar in Yugoslavia, an Acting Curator of the Harvard Archive. He is a member of the Boston Society of Film Critics, the National Society of Film Critics, and FIPRESCI, the international critics association. He has been on film juries around the world, including Berlin, Hong Kong, Rotterdam, Amsterdam, Bangkok. He is the writer-director of the 2008 feature documentary, For the Love of Movies: the Story of American Film Criticism, and he is an actor in the 2013 film, Computer Chess, which premiered at Sundance.
Harvey Blume (Short Fuse)
Books, Culture and Politics
Blume has published reviews, interviews and essays in The New York Times, The Boston Globe, Wired, and Agni, among other venues. He coauthored Ota Benga: The Pygmy At The Zoo.
Classical Music, Literature
Jonathan Blumhofer is a composer and violist living in Worcester, Massachusetts. His music has been performed and recorded by ensembles including the Camerata Chicago, the Kiev Philharmonic, Xanthos Ensemble, and Juventas New Music Ensemble. Active in the academic community, he has presented papers at several conferences, contributed to the Grove Dictionary of American Music, 2nd Edition, and periodically reviews books for Notes: Quarterly Journal of the Music Library Association.
Blumhofer holds degrees from Wheaton College (IL), the Boston Conservatory, and Boston University. He currently lectures at Clark University and online for the University of Phoenix, and teaches music privately in central Massachusetts. Please visit his website for more information on his activities and research interests, and to view scores and hear his music.
Poet Daniel Bosch’s book Crucible appeared from Other Press in 2002. His poems and translations have been published in The New Republic, Poetry, Slate, The TLS, The Paris Review, and many other journals. He teaches expository writing at Tufts University and verse composition at Walnut Hill School for the Arts.
Joann Green Breuer
Founder and Artistic Director of the Cambridge Ensemble, Breuer was faculty advisor to the student Experimental Theatre at Harvard University. She is now an independent theater director and an Artistic Associate with the Vineyard Playhouse on Martha’s Vineyard. Recipient of an Eliot Norton award for Continued Excellence in Directing, She is the author of The Small Theatre Handbook.
Cash has reported, taught and lectured on dance, performing arts, design and cultural policy for print, broadcast and internet media. She regularly presents pre-concert talks, writes program notes and moderates panels and events sponsored by World Music/CRASHarts, Wesleyan Center for the Arts and venues throughout New England. A former Boston Globe and WBUR dance critic, she received a 2012 Creative Arts Award from the Hadassah-Brandeis Institute for a new poetry project.
Playwright, entrepreneur, journalist Cohen holds degrees from Princeton and Harvard. It was at Harvard, at age thirty-one, that he had his break-through with the non-fiction novel The Gospel According to the Harvard Business School; the book became a bestseller with the New York Times filling an entire page with excerpts.
In May of 2009 a new play, To Pay the Price, got a full production Off Broadway; Bob Kalfin, a veteran of Broadway, directed. That same play was part of OnStageIsrael theater-festival at Chicago’s Victory Gardens Theater in 2008; before that it got a work-shop production at Shakespeare & Company, Lenox, MA.
Among Cohen’s recent works: Only a Complete Disaster Can Save Us Now - the latter about the economy; a subject familiar to Cohen from his days at the Harvard Business School.
Some of Cohen’s plays have been produced by prominent European theaters such as: Schauspielhaus Zurich (in cooperation with Swiss National Radio); Kulturfabrik Kampnagel, Hamburg; Hackesches Hof Theater, Berlin; Theaterhaus Gessnerallee, Zurich and Theater Freiburg, Freiburg i.B., Germany.
Cohen’s play with music, A Ship to Zion, was produced by a Kingston, Jamaica, company, with an all-star Jamaican cast. It won its lead actor the Jamaican Oscar for best male actor; the original production was subsequently invited to Zurich, Switzerland, and to the Caracas International Theater Festival.
Cohen lives in the greater Boston area.
Einspruch is an artist and writer in Boston. His fifteenth solo exhibition, “The Talk That Walked,” took place at Main Library, Downtown Branch in Miami in November 2010. Over the last year his writings have appeared in The New Criterion, the Weekly Dig, Big Red & Shiny, and two gallery catalogs, and his comics have been featured in three issues of Inbound, the anthology of the Boston Comics Roundtable. He produces a weekly journal on his website and a webcomic, The Moon Fell On Me. He was recently been selected as a member of AICA USA.
Elman’s thirty-three years in public radio included ten years as a jazz host, five years as a classical host, a short stint as senior producer of an arts magazine, and thirteen years as assistant general manager of WBUR. He was jazz and popular music editor of the Schwann Record and Tape Guides from 1973 to 1978 and wrote free-lance music and travel pieces for The Boston Globe and The Boston Phoenix from 1988 through 1991.
He is the co-author of Burning Up the Air (Commonwealth Editions, 2008), which chronicles the first fifty years of talk radio through the life of talk-show pioneer Jerry Williams. He is a member of the board of directors of the Massachusetts Broadcasters Hall of Fame.
Helen Epstein (Culture Vulture)
Books, Classical Music, Theater, Visual Arts
Tim Jackson is an assistant professor at the New England Institute of Art in the Digital Film and Video Department. His music career in Boston began in the 1970’s and includes some 20 groups, many recordings, national and international tours, and contributions to film soundtracks. He studied theater and English as an undergraduate and has also has worked helter skelter as an actor and member of SAG and AFTRA since the 1980’s. He has directed two documentaries Chaos and Order: Making American Theater about the American Repertory Theater, and Radical Jesters, which profiles the practices of 11 interventionist artists and agit-prop performance groups. He is currently finishing a third documentary titled A Woman’s Voice about the Boston singer/songwriter Robin Lane with whom he has worked for 30 years. You can read more of his work on his blog.
Marcia Karp has poems and translations in Free Inquiry, Oxford Magazine, The Times Literary Supplement, The Warwick Review, Ploughshares, Harvard Review, Agenda, Literary Imagination, Seneca Review, The Guardian, The Republic of Letters, and Partisan Review. Her work is included in these anthologies: Penguin Books’ Catullus in English and Petrarch in English; Joining Music with Reason: 34 Poets, British and American, Oxford 2004-2009 (Waywiser); and The Word Exchange: Anglo-Saxon Poems in Translation (Norton).
Grace Dane Mazur
Visual Art, Books
Grace Dane Mazur is a fiction writer whose most recent book is the non-fiction work, Hinges: Meditations on the Portals of the Imagination. After studying painting and ceramics at the School of the Museum of Fine Arts in Boston, she went to Harvard for her BA and PhD in Biology. She was a postdoc at Harvard working on micro-architecture in the silk moth when she hinged into literature. She now teaches fiction in the MFA Program for Writers at Warren Wilson and is the fiction editor at Tupelo Press. She lives in Cambridge and Westport, Massachusetts, with her husband, the mathematician Barry Mazur. She can be found at www.gracedanemazur.org
Classical Music, Theater
Miron, a harpist, has been a book reviewer for over twenty years for a large variety of literary publications and newspapers. Her fields of expertise were East and Central European, Irish and Israeli literature. Susan covers classical music for The Arts Fuse and The Boston Musical Intelligencer. She is part of the Celtic harp and storytelling duo A Bard’s Feast with renowned storyteller Norah Dooley, and plays the Celtic harp at the Cancer Center at Newton Wellesley Hospital.
Film, Theater, Music
Glenn Rifkin is a journalist and author based outside Boston. He is a long-time contributor to The New York Times, writing mostly about business, but he has written for many of the paper’s sections over the years, including the Arts section. Rifkin has authored or co-authored a dozen books and contributed to many publications during a career of more than three decades. His contributions to Arts Fuse reflect a lifelong love of the movies, theater and music.
Gary Schwartz (Schwartzlist)
Schwartz was born in Brooklyn, New York in 1940. In 1965 he came to the Netherlands with a graduate fellowship in art history and stayed. He has been active as a translator, editor, and publisher; teacher, lecturer, and writer; and as the founder of CODART, an international network organization for curators of Dutch and Flemish art.
As an art historian, he is best known for his books on Rembrandt: Rembrandt: all the etchings in true size (1977), Rembrandt, his life, his paintings: a new biography (1984) and The Rembrandt Book (2006).
His Internet column, now called the Schwartzlist, appeared every other week from September 1996 to April 2007 and has been appearing since then irregularly. His most recent book on Rembrandt is one of the six titles nominated for the Banister Fletcher Award for the most deserving book on art or architecture of that year.
In November 2009 Schwartz was awarded the coveted tri-annual Prize for the Humanities by the Prince Bernhard Cultural Foundation of Amsterdam. Please address reactions to Gary.Schwartz@xs4all.nl
A recipient of both Guggenheim and NEA Fellowships for fiction, Roberta Silman has published Blood Relations, a collection of short stories, and three novels, Boundaries, The Dream Dredger and Beginning the World Again, as well as a children’s book, Somebody Else’s Child. Her awards include Honorable Mention for the PEN Hemingway Prize and the Janet Heidinger Kafka Prize (twice), the Child Study Association prize, and two Pen Syndicated Fiction prizes. Her stories have appeared in The New Yorker, The Atlantic, McCall’s, The American Scholar, The Virginia Quarterly Review and many other magazines here and abroad. Two have been read on Selected Shorts and NPR.
As a critic, she has published reviews and essays in The New York Times, PRI’s World Books, The American Scholar and Virginia Quarterly review.She also writes regularly for The Boston Globe. A graduate of Cornell (BA) and Sarah Lawrence (MFA), Ms. Silman has three grown children and several grandchildren and lives with her husband, structural engineer Robert Silman, in Ardsley, NY. She can be reached at email@example.com.
Sally Levitt Steinberg (Food Muse)
Culture of Food, Books
Steinberg is a writer, journalist, and oral/personal historian. She has written several books, including The Donut Book, the world’s definitive book of everything-you-need-to-know about donuts. It was chosen twice as a Book-of-the-Month Club selection, it has been featured in all the media, including NPR, the Martha Stewart radio shows, and the film Donut Crazy for the Travel Channel, and its materials form The National Donut Collection at the Smithsonian Museum.
She has written a biography, The Book of Joy, as well as several personal histories and a book on interior design. Her essay, “Coffin Couture,” was cited as the best piece in the recent anthology of personal history, My Words Are Gonna Linger. She has written articles for many publications, including The New York Times, The Boston Globe, and The New Yorker. She lives in Boston.
Ian Thal is a performance artist and theatre educator specializing in mime, commedia dell’arte, and puppetry, and has been known to act on Boston area stages from time to time, sometimes with Teatro delle Maschere. He is also an aspiring playwright working on his second full length play; his first, though as-of-yet unproduced, was picketed by a Hamas supporter during a staged reading. He blogs irregularly at the unimaginatively entitled From The Journals of Ian Thal. Ian is a member of the Small Theatre Alliance of Boston.
Caldwell Titcomb played a key role in sustaining The Arts Fuse — as a writer, critic, friend, and guiding spirit. He passed away in June, 2011. Here is the Fuse’s remembrance of a remarkable man.
Art, Music, and Literature
Anthony Wallace first came to Boston as a Teaching Fellow in Boston University’s Graduate Creative Writing Program, where he studied fiction writing with Leslie Epstein and Allegra Goodman, and literary translation with Rosanna Warren. He is currently a Senior Lecturer in the Arts and Sciences Writing Program at BU, where he has taught seminars on various topics in American literature for the past eleven years. Recently he and colleague Bill Marx have worked with the Dean’s office in developing The Theater Now, an experimental first-year writing seminar designed in cooperation with Boston area theaters. Theater Now is currently in the process of expanding to Arts Now, which will be part of a broad-based initiative to support the arts at BU.
Anthony has published poetry and short fiction in literary journals such as CutBank, The Atlanta Review, Another Chicago Magazine, The Florida Review, and River Styx. He has twice been a finalist for the Flannery O’Connor Short Fiction Award. Most recently he has published several non-fiction articles in The Arts Fuse. His short story “The Old Priest,” originally published in The Republic of Letters, has won a Pushcart Prize and will be published this fall in Pushcart Prize XXXVII (2013 edition). He has been awarded the 2013 Drue Heinz Literature Prize for his short story collection entitled The Old Priest.