• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
  • About
  • Donate

The Arts Fuse

Boston's Online Arts Magazine: Dance, Film, Literature, Music, Theater, and more

  • Podcasts
  • Coming Attractions
  • Reviews
  • Short Fuses
  • Interviews
  • Commentary
  • The Arts
    • Performing Arts
      • Dance
      • Music
      • Theater
    • Other
      • Books
      • Film
      • Food
      • Television
      • Visual Arts

Ronald Harwood

Theater Review Round-up: Our Man in London

It should be pointed out that in London it is possible to see more shows in a limited time than one can do in the United States. Why? Because it has long been the sensible practice to stagger weekday matinees. By Caldwell Titcomb Shakespeare first, of course. The British quite rightly never tire of “Hamlet.” […]

By: Caldwell Titcomb Filed Under: Books, Featured, Theater Tagged: “The Black Album, All's Well That Ends Well, Anton Chekhov, Arcadia, Bridge Project, Caldwell-Titcomb, Carrie's War, Caryl Churchill, Collaboration, Cottesloe, Dreams of Violence, Duet for One, Dysfunctional Family, England People Very Nice, Ethan Hawke, Francesca Annis, Hamlet, Hanif Kureishi, Helen Mirren, Henry Goodman, J. B. Priestley, Jerusalem, Jez Butterworth, Jude Law, Juliet Stevenson, Katori Hall, Lyttleton, Mark Rylance, Matt Charman, Max Stafford-Clark, Michael Grandage, Michael Morporgo, National-Theatre, Nazis, Nicholas Hytner, Olivier, Phèdre, Racine, Rebecca Hall, Richard Bean, Richard Strauss, Richard Wilbur, Ronald Harwood, Sam Mendes, Simon Russell Beale, Sinéad Cusack, Sir Richard Eyre, Stefan-Zweig, Stella Feehily, Ted Hughes, The Cherry Orchard, The Mountaintop, The Observer, The Silent Woman, The-Winters-Tale, Three More Sleepless Nights, tom-stoppard, War Horse, William Shakeseare, Wyndham Theatre

Primary Sidebar

Search

Popular Posts

  • Rock Album Review: The Tedeschi Trucks Band’s “I Am The Moon” — Nothing If Not Ambitious Crescent gives us the first five songs of the I Am The... posted on May 30, 2022
  • Concert Review: The 2022 New Orleans Jazz & Heritage Festival — The Blessed Return of Musical Serendipity We’d returned to the New Orleans Jazz & Heritage Festiv... posted on May 29, 2022
  • Television Review: “Shoresy” — A Spin-off That Falls Short The Canadian sports comedy Shoresy works as its own ser... posted on June 7, 2022
  • Theater Review: “1776” — Still an Egg in the Theatrical Incubator This revival of 1776 tries to strike a culture wars bal... posted on June 5, 2022
  • Album Review: Drummer Bill Bruford’s “Making a Song and Dance” — Adventures Galore Legendary percussionist Bill Bruford’s recorded output... posted on May 31, 2022

Social

Follow us:

Follow the Conversation

  • Paul Horn June 25, 2022 at 7:27 pm on Film Review: The Devil and “Elvis”Enjoyable read, convinced me to see it!
  • Sara Glenn June 25, 2022 at 4:41 pm on Film Commentary: Diamonds in the Rough — One Perfect Moment from “Infinite Storm”Thanks Ezra for this article and the day!
  • kBachus June 25, 2022 at 3:51 pm on Pop Review: Glass Animals Lose Their VoiceYou are poorly spoken and I disagree your analysis
  • Jerry Lupton June 25, 2022 at 12:49 pm on Concert Review: Molly Tuttle and Golden Highway Dazzle at The Sinclair in CambridgeSaw Molli and company in Tampa a couple months ago and was blown away. They all are superstars in their...
  • Steve June 25, 2022 at 11:43 am on Concert Review: Molly Tuttle and Golden Highway Dazzle at The Sinclair in CambridgeGreat review! I was there.

Footer

  • About Us
  • Advertising/Underwriting
  • Syndication
  • Media Resources
  • Editors and Contributors

We Are

Boston’s online arts magazine since 2007. Powered by 70+ experts and writers.

Follow Us

Monthly Archives

Categories

"Use the point of your pen, not the feather." -- Jonathan Swift

Copyright © 2022 · The Arts Fuse - All Rights Reserved · Website by Stephanie Franz