Michael Rakowitz

Visual Arts Review: London’s Fourth Plinth — A Brilliant Public Artwork in Central London

April 21, 2018
Posted in ,

“The Invisible Enemy Should Not Exist” is a rare transformative piece of public art.

Recent Posts

Film Review: François Ozon Reimagines Camus with Style—and Judicious Revisions
April 20, 2026
Jazz Album Review: Club d’Elf Blends Gnawa and Jam-Band Energy on “Loon & Thrush”
April 20, 2026
Jazz Album Reviews: Young Fire, Fearless Sound — Trumpeters Adam O’Farrill and Dave Adewumi Push Jazz Forward
April 19, 2026
Dance Review: Angkor Troupe’s “Swan Lake” — Trauma into Triumph
April 19, 2026
Visual Arts Review: Derrick Adams Turns Black Joy Into an Expansive World
April 19, 2026

Popular Posts

Film Review: “Project Hail Mary” — The Sweet Smell of Science Fiction Wonder
March 18, 2026
Theater Review: The Broadway Revival of “Sunset Boulevard” Assaults the Senses
November 9, 2024
Film Review: “EPiC: Elvis Presley in Concert” – The King’s Still the Thing
February 27, 2026
Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess
December 24, 2025
Theater Review: “John Proctor Is the Villain ” — Critiquing a Classic
March 6, 2024

Categories

Archives

Recent Comments