criticism

Fuse News: A Critic’s Responsibility?

May 1, 2013
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Generally in New England we’re outspoken about nearly everything – politics, social issues, sports – so why not the arts?

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Cultural Commentary: Why is Boston’s Arts Coverage So Bland?

April 22, 2013
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According to our docile mainstream media, Boston enjoys a perpetual Renaissance — the merchandise in the cultural window is always worth buying. And that predictability makes for very boring journalism.

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Arts Commentary: “The New York Times” — Shouldn’t It Know the Purpose of Arts Criticism?

July 17, 2012
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Based on Public Editor Arthur S. Brisbane’s recent New York Times column on arts criticism, he and others at the newspaper haven’t much of a clue regarding what a serious arts review is supposed to be.

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Cultural Commentary — Northrop Frye at 100

July 14, 2012
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Northrop Frye, inspired by the poet William Blake, demands that the critic be a warrior in a “mental fight,” articulating the liberating value of literature as a source of imaginative energy that generates possibilities.

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Arts Commentary: Critical Rule #1 — Don’t Write Like a Publicist

June 17, 2012
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Early on I was given these words of wisdom by my friend, the late theater critic Arthur Friedman: “Criticism should not read as if it had been written by a publicist.

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Arts Commentary: What Makes a Critic Tick? Harvard Business School Hasn’t a Clue

May 30, 2012
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I have read the Harvard Business School study about critics and it is clueless on so many levels about the craft and mechanics of reviewing that it is astonishing that major newspapers and magazines have taken it seriously.

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Book Review/Commentary: Why Lionel Trilling — and Serious Criticism — Matters

January 1, 2012
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The essential task of the critic is not to like or dislike the arts or to push bromides, such as to celebrate the “power of reading.” Despite some troublesome modifications, Lionel Trilling carries on the mission of E.A. Poe and Henry James: he articulates the value of the serious act of judgment in a culture hostile to it.

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Fuse Commentary: Meditating on Excellence in the Arts, High and Low

October 27, 2011
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What makes one opinion better than another? (Some opinions have been challenged more than others. Tested opinions are worth more than untested ones.) Can’t one enjoy an aesthetic experience without having to put it into words? (Absolutely, but those of us who write art criticism don’t have the luxury.)

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Fuse Book Review: Why Do American Critics Fear Being Critical?

October 4, 2011
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A symptom of our times: two books by self-described critics that aren’t particularly critical. Informed, lucid, thoughtful, and explanatory, yes –- strongly evaluative, no

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Arts Commentary: Can Criticism Be Too Positive Too Often?

June 9, 2011
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How much do you really know about a critic if all you have on record is what he or she likes and why? At some point staying mum about the negative looks less like tenderhearted support or good manners and more like cowardice or a lack of seriousness. By Bill Marx The news that veteran,…

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