Resistance, at least in Boston theater, is futile.
Boston-theater
Arts Fuse Appreciation / Commentary: DruidMurphy, There and Here
The Druid, one of Ireland’s most celebrated stage companies, undertook the project to celebrate Tom Murphy’s work and to make the case for him as one of the world’s leading living playwrights.
Theater Review: “Grimm” but Entertaining
Charm’d magic casements, opening on the Foam Of perilous seas, in faery lands forlorn. — To a Nightingale, John Keats, 1819 GRIMM: The Brothers’ Tales Remixed & Re-imagined . . . Written by Gregory Maguire, Kristen Greenidge, Melinda Lopez, Marcus Gardley, Lydia R. Diamond, John Kuntz, and John ADEkoje. Directed by Summer L. Williams and […]
Theater Review: A Poetic ‘Apple’
Imagine this day. See it in your mind. The sun on your face. The spring in your mouth. Your heart deep inside. No future. No past. No time. Just this day. This moment. — Apple by Vern Thiessen Apple by Vern Thiessen. Directed by Greg Maraio. Presented by Phoenix Theatre Artists and Company One, at […]
Theater Commentary: Boston’s “Comedy of Errors”
The Comedy of Errors by William Shakespeare. Directed by Steve Maler. Presented by Commonwealth Shakespeare Company at the Boston Common Parkman Bandstand, through August 16. Reviewed by Bill Marx Shakespeare can be punished by his own success. In “The Comedy of Errors” he juggles two sets of identical twins on stage with the dizzying aplomb […]
Theater Commentary: Stages Search for a New Balance
By Bill Marx Kate Warner, the New Rep’s new Artistic Director, wants to strike a new balance. WGBH’s Jared Bowen is more of a publicist/fan than a journalist, but his recent “Greater Boston” interview with Kate Warner, the new Artistic Director of the New Repertory Theatre, gives the honcho a chance to talk about some […]
Theater Commentary: Last of the Red Hot Anachronisms
By Bill Marx If the age turns away from the theater, in which it is no longer interested, that is because the theater has ceased to represent it. It no longer hopes to be provided by the theater with myths on which it can sustain itself. –- Antonin Artaud
Theater Review: A Mild FeverFest 08
By Bill Marx Now in its third year under the watchful eye of the admirable Whistler in the Dark Theatre, FeverFest presents a selection of Boston’s fringe groups in an evening of short performances, a sort of theatrical tasting event billed as a round up of “explosive work by vital young companies.” Tonight will be […]
Theater Views: Breaking News on Breaking Ground
By Bill Marx The Huntington Theatre Company’s Breaking Ground Festival of new play readings turns five this year. The latest lineup runs through Sunday at the shindig’s venue, the Stanford Calderwood Pavilion at the Boston Center for the Arts. Scripts by Melinda Lopez, Ken Urban, Mat Smart and Nathan Louis Jackson, as well as a […]
Theater Commentary: Marketing Away Reality
By Bill Marx Television offers so little discussion of local stages that I had to check out WGBH’s Greater Boston segment on the state (artistic and financial) of the city’s theater, which aired last week. Of course, I wasn’t expecting much, but I was surprised that – in a predictable effort to assuage the anxieties […]