Boston Symphony Orchestra
While I’m not necessarily sold on this particular interpretation of Mahler Symphony no. 1, it was a thoughtful reading led with conviction; conductor Ludovic Morlot drew a committed performance from the BSO, and that counts for something.
Read MoreIt was clear from the moment Ludovic Morlot mounted the podium that he and the Boston Symphony Orchestra possess a strong chemistry: the players clearly respect him and they responded to his leadership with precision, energy, and feeling.
Read MoreIt’s “Mahler Unleashed” month at the New England Conservatory. I heartily recommend all of the “Mahler Unleashed” events.
Read MoreThroughout his career, conductor Kurt Masur has focused primarily on conducting the standard German repertoire, and now, at age 84, his mastery and understanding of this music is unmatched.
Read MoreDespite some interpretive shortcomings, Sean Newhouse, the orchestra’s 30-year-old assistant conductor has solid technique, and a major orchestra whose players, management, and audience believe in him.
Read MoreOctober offers an embarrassment of musical riches. The Boston Symphony Orchestra, without a music director, is still putting on impressive programs, including several this month.
Read MoreA busy month in New England, with at least two classical music traditions kicking off the season in Boston: Longy School of Music’s free SeptemberFest and Fenwick Smith’s 35th annual flute recital at Jordan Hall (Sept 4 @ 3p.m.).
Read MoreAn alternative to the New York Times’ review of “Porgy and Bess” at the Tanglewood Festival.
Read MoreMost classical music continues to take place out of town at festivals in lovely, pastoral settings throughout New England. And while most of these gatherings have several interesting concerts worth noting, the BSO at Tanglewood still has the lion’s share of ear-worthy happenings. By Susan Miron. Wednesday Concert Series offers free classical music each Wednesday…
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