Fuse News
Assayas’s splendid autobiographical feature is about a young man who refuses to turn his back on the radicalism of the ’60s
What has NPR’s Terry Gross learned after all these years of probing famous people’s psyches? “We are all mortal. Life is short, and for some life is full of pain.”
The Zeitgeist Stage Company provocatively lives up to its name by taking audiences into the netherworld of horrific violence via a powerful production of Simon Stephens’ drama “Punk Rock.”
Something emotional (perhaps even passionate) whirls underneath the well-worn modernist pieties of “Old-Fashioned Prostitutes,” though not to the point of disrupting the daffy routine.
With the passing of animator Ray Harryhausen, we would do well to remember when wonder was more … wondrous.
Frederic Franklin was the repository of much of the tradition of 20th century ballet, and he carried on these values by personifying the essence of the genre.
A fantastic film? Not really. “In the House” is sometimes ingenious, but all the main characters are cold, arrogant, and off-putting.
Chhandika is dedicated to keeping the intricate and expressive art form of Kathak dance relevant to contemporary audiences, particularly to those who are not familiar with the Ramayana.
Generally in New England we’re outspoken about nearly everything – politics, social issues, sports – so why not the arts?
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