Richard Foreman
Something emotional (perhaps even passionate) whirls underneath the well-worn modernist pieties of “Old-Fashioned Prostitutes,” though not to the point of disrupting the daffy routine.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
Something emotional (perhaps even passionate) whirls underneath the well-worn modernist pieties of “Old-Fashioned Prostitutes,” though not to the point of disrupting the daffy routine.
Arts Commentary: These Goose Steps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic