Search Results: Helen Epstein
by Helen Epstein Go here for information about a live-chat, scheduled for August 23rd, with Helen Epstein on “The Art of Narrative Writing.” Despite what the NYTimes thinks Meryl Streep cooks up a storm in “Julie and Julia.” I usually trust the Times‘ A. O. Scott on movies, but this time I don’t share his…
Read MoreCan you imagine a scholarly press publishing a book about the Mona Lisa without a reproduction of the painting? Or, perhaps a more pertinent example, a book about anti-Semitic stereotypes without an illustration of them? Brandeis professor and author Jytte Klausen was asked to sign what she called a “gag order” by Yale University Press.…
Read MoreBy Helen Epstein After some peculiar programming last week, Tanglewood’s current weekend got off to a rousing start on Thursday night as Garrick Ohlsson gave a haunting, introspective, and idiosyncratic performance of Chopin. The program, emotion-packed and filled with delicacies as though the pianist could not bear to leave anything out, included nocturnes and mazurkas,…
Read MoreThe Real Inspector Hound by Tom Stoppard. Directed by Jonathan Croy. Presented by Shakespeare & Company at the Bernstein Theatre, Lenox, MA, through November 7. Reviewed by Helen Epstein. If you are looking for a light, literate, zany evening of entertainment, you can do no better than Shakespeare & Company’s current production of Tom Stoppard’s…
Read MoreBy Helen Epstein Perhaps a director’s most important choice is sifting through the great backlist of dramatic literature and choosing a play whose sensibility she not only wishes to explore and inhabit, but that she can cast and direct well. When the play, the director and design team, the actors, and historical moment all line…
Read MoreBy Helen Epstein If you want a country theater experience, complete with magical valley and stream and a freight train in the distance, go to Chester, MA this month. Chester Theater Company‘s The Nibroc Trilogy is a winner and will culminate on the final two Saturdays of the season (August 14 and 21) with the…
Read MoreBy Helen Epstein July 30 featured a Russian warhorse program at Tanglewood: Glinka’s “Overture to Ruslan and Ludmila”; Tchaikovsky’s Piano Concerto No. 1 in B-flat minor, and Prokofiev’s Music from the ballet Romeo and Juliet. These are familiar (some might say over-familiar) works for orchestra, but, of course, there’s a reason they’re still being programmed.…
Read MoreBy Helen Epstein Shakespeare & Company’s new director Tony Simotes is in his last week of radiation and chemotherapy for throat cancer in Boston, but he was in the Berkshires this weekend to preside over the first read-through of Richard III.
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