Joann Green Breuer
Dramatist Richard Nelson’s language is plain poetry, which passes as prose. It is conversation, as another poet hymned, transmogrified.
Read MoreWhat feels absent in Bruce Norris’s “Domesticated” is some sort of moral center to its familiarly skewed, down sliding spiral of relationships.
Read MoreDirector Bill Rauch’s concept and the Oregon Shakespeare Festival company have, in a small space, created an achievement of monumental, yet personal, proportion.
Read MoreThe Oregon Shakespeare Festival is an annual theatrical adventure for many on the West coast, and should become one for the rest of the country – but make reservations early.
Read MoreWith his biopic “Orchestra of Exiles,” director Josh Aronson has done an at times awkward, but important, cut and paste job of history and biography.
Read MoreA collection of short films and a documentary at The Boston Jewish Film Festival serves up plenty of decision, determination, devotion and delight.
Read MoreIt can be a long wait for the end of the world, even though it lies only a week away, to wit, from the beginning to the end of the Israeli film “We Are Not Alone.”
Read MoreA.R.T artistic director Diane Paulus, entrepreneur extraordinaire, seems to have plucked impulse for character and meandering plot from a watered (down) idea of The Tempest.
Read MoreAs this is his only work which Shakespeare himself titles ‘comedy,’ a company may feel an obligation to elicit laughter. Ironically, this duty can become burdensome.
Read More- « Previous
- 1
- 2
- 3
- 4
- Next »