The irony implied by Junk after the curtain goes down is the realization that white collar crime does pay.
Dance Review: A Ratmansky Evening at New York City Ballet
Two works by one of the most-in-demand choreographers of our time received powerhouse performances from the New York City Ballet.
Theater Review: New York Stage Round-up — “Indecent,” “Sweat,” and “Bandstand.”
Sweat and Indecent serve as forceful reminders that art matters — as if proof was needed.
Dance Review: American Ballet Theatre’s Eye-Popper of a “Sleeping Beauty”
Few companies can do pageantry quite like ABT, buoyed by its vast resources as well as on this occasion the company’s desire to celebrate its 75th anniversary with panache.
Fuse in New York: “An American in Paris” and “Wolf Hall,” Parts One and Two
Today’s Broadway is at its best presenting blockbuster spectacles like Wolf Hall and An American in Paris.
Fuse Theater Review: The Hypocrites’ “Mikado” — A Theatrical Wow
Don’t miss the “joyous shout and ringing cheer” of this delightfully boisterous version of The Mikado.
Dance Review: Sarasota Ballet Will Perform New England Premieres at Jacob’s Pillow
The Sarasota Ballet will make its New England debut at Jacob’s Pillow in August with a program that includes two works of mid-20th century choreographer Sir Frederick Ashton.
Theater Review: Samuel Beckett’s “Happy Days” — Soldiering On Through the Void
Brooke Adams portrays Winnie as the ultimate smiley face; her husband, Tony Shalhoub, is little more than another prop weathering her on-going babble.
Dance Review: Pilobolus Provides Plenty of Joie de Vivre at Citi Shubert Theatre
An evening with Pilobolus is among the most viewer-friendly of dance experiences.
Theater Review: “Living on Love” or Froth?
Incomparable opera diva Renée Fleming makes her debut as a stage actress — playing an impossible opera diva — in playwright Joe DiPietro’s sliver of a comedy Living on Love.