Search Results: samph
Since I live in Boston, and was seeking out the farther reaches of the outsider art world, I was happy to discover three stellar galleries in Massachusetts and Vermont.
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The Cambridge Symphony Orchestra’s recent performance supplied drama, vigor, and reflection.
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In this dreamworld, the politics don’t matter. It’s the artfully gruesome spectacle that counts — that and the hackneyed Hollywood storyline about the hardened veteran mentoring the neophyte through an initiation into the harsh realities of the profession.
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The Disco Biscuits are playing champion-level shows following a period of rebuilding and recalibrating that brought the band out of semi-retirement.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Moppa Elliott makes eminently approachable music at a very high standard, with great ingenuity and sophistication. He has proven himself to be one of the most inventive and creative composers for small jazz ensemble since Charles Mingus.
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This exhibit at the Brickbottom Gallery does a good job of capturing the unexpected moments and surprises that we experience in a city.
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The album’s layers of thick and swampy sound make Kim Gordon’s anxious point.
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The Disco Biscuits improvisations are not driven by a guitar-rock root: they are more apt to dive into a piece of classical music and then ease into a propulsive dance-club beat that eventually swerves into Zappa-style brainy grime.
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Conductor Benjamin Zander put the Boston Philharmonic Youth Orchestra to challenging work at Symphony Hall, while, on record, Isabelle Faust delivers a vital, urgent, and engrossing traversal of the Britten Violin Concerto.
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