Throughout her career, Joan Walsh Anglund remained humbled and amazed by her success, maintaining a quiet and private life.
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Film Review: “A Good Person” — Grappling with Trauma
Florence Pugh tends to be cast as beautiful and indomitable characters faced with the very real possibility of madness or defeat.
Film Review: Two at the Boston Turkish Film Festival — “Kerr” and “The Burning Days”
In Turkey, liberal filmmakers must find ways to address system wide abuses without offending the censors: the opening and closing films at this week’s Turkish Film Festival make good use of that strategy.
Film Review: “Close” — Feeling the Tragic Weight of the Human Condition
Some might consider Close to be a depressing film, but its impressive understanding of human frailty and the power of forgiveness is revelatory.
Film Review: “White Noise” — Toxic Prophecy
By drawing on the insight and humor in Don DeLillo’s novel, Noah Baumbach manages to find (at least for me) affirmation and comfort in this portrait of the randomness of contemporary existence.
Arts Remembrance: Dino Danelli of the Young Rascals
Thank you, Dino, for all you contributed to music and to the art of drumming.
Book Review: “Charlie’s Good Tonight” — A Rare Gift of Groove
Charlie’s Good Tonight does a fine job of illuminating Charlie Watts’ personality and paying homage to the drummer’s admirable legacy.
Film Review: “4×4” — Pedal to the Metal
Despite its potential for black comedy or moral sermonizing, 4×4 remains a gripping suspenser.
Coming Attractions: December 1 through 15 — What Will Light Your Fire
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
The Arts on the Stamps of the World — April 4
An Arts Fuse regular feature: the arts on stamps of the world.