Visual Arts
Visual artist Carmen Sasso’s stimulating interpretation of life’s colorful evolutionary ebb and flow exudes plenty of color, detail and movement. Carmen Sasso’s “You’re Welcome,” at the Atlantic Works Gallery until December 28 By Yumi Araki The Atlantic Works Gallery, located in East Boston, MA, offers a magnificent view of Boston harbor. Yet even in competition…
Read MoreBy Gary Schwartz To the memory of Dan Tsalka. Among the acts of art vandalism blamed on the nineteenth century, one of the minor ones was actually undone fifteen years ago. It had to do with the dismemberment of a painting by Jan Steen of the wedding night of Sarah and Tobias, a story from…
Read MoreBy Peter Walsh Almost overlooked in the wider, world financial crisis this spring is the precipitous decline, and perhaps impending fall, of the American art museum. All of a sudden, the money just isn’t there for them any more.
Read MoreIs it more harmful for a museum item to be crated and shipped off to a loan exhibition or left hanging in its own gallery or storage facility? Do we see the scars of damage once they have been repaired? Ronni Baer in the Museum of Fine Arts, Boston, December 2007 By Gary Schwartz “I’m…
Read Moreby Gary Schwartz Albrecht Dürer, Erasmus, 1521 The recently closed exhibition Images of Erasmus at the Boijmans Van Beuningen Museum in Rotterdam rightly introduced Hieronymus Bosch into Erasmus’s sphere. Here are some unsuspected truths – well, at least possible truths – about the two of them.
Read Moreby Peter Walsh “Architecture is to make us know and remember who we are.” —Sir Geoffrey Jellicoe (1989) Harvard University’s Shad Hall: Can a building predict the future? Twenty years ago, the completion of Shad Hall, on the Harvard Business School campus, created a stir. Even for Harvard, the place was shrouded in deep secrecy.…
Read Moreby Gary Schwartz A few months ago a good friend, someone whose judgment I could not respect more highly, asked me to help convince the Rijksmuseum not to give Damien Hirst the run of the place with his exhibition “For the love of God.” She was understandably incensed by the whole business. That the cast…
Read MoreBy Gary Schwartz This question was asked by a Dutch newspaper last spring. At the time I did not get around to answering it. What they were after were experiences related to the students and workers revolt in France and other revolutionary manifestations of the Spirit of 68. My first reaction was that I was…
Read Moreby Gary Schwartz It is not too late to commemorate the 400th anniversary, earlier this year, of one of the great inter-civilizational gestures of early modern times. On January 3rd, 1608, a delegation of Discalced Carmelite monks, arriving in Isfahan from Rome via Kraków, presented to the Moslem Shah Abbas I one of the most…
Read MoreBy Gary Schwartz One in so many Western works of art contains an image of a person we would call black. The phenomenon attracts relatively little attention in art history. The Menil Foundation went after it seriously, in a project now inherited by the Warburg Institute. An exhibition in the Nieuwe Kerk in Amsterdam offers…
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