Tim Francis Barry
There’s a looseness, a jagged brio that gives the images in ¡Printing the Revolution! a visual bang — a kind of primal pop.
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Long live Fluxus, with its questionable boxes of ephemera, its baggy bags of soil, and its mad prankster sensibility.
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Like Nina Antonia and Robert Clark, Mark Doty deftly interweaves personal narrative with his literary concerns.
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Pakistani-born artist Huma Bhabha is still very much at the edge of edgy; Georgia O’Keeffe much less so.
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