Fresh from choreographing a Tony award-winning revival of Oklahoma!, John Heginbotham presents a world premiere in the Hopkins Center for the Arts at Dartmouth College.
Susan B. Apel
The women whose voices make up the play’s dialogue are Vermont or New Hampshire residents who have sought medical care at the local VA hospital.
The performer’s question is direct: has the talented orator anything to say about race in today’s America? The answer is a galvanizing yes.
According to Wellesley Centers for Women study, women hold only 20% of the artistic leadership positions in America’s regional theaters.
This ingenious and expansive multi-media museum production will please fans of Leonard Cohen’s art and those new to his artistry.
No ear is the same — so the sonic experience is different for each listener.
The Hop, as it is known, is more than a collection of performance venues; it plays an active role in developing art and artists.
A difficult balancing act: marrying art with the community-based traditions of everyday rural life.
JAG Productions’ goal is to stage plays that reflect the lives of African-Americans — in Vermont, the second-whitest state in the nation.
Wakka Wakka’s puppetry skills are highly impressive, its staging inventive and undeniably entertaining.