Despite the material’s limitations, the stellar SpeakEasy Stage cast and designers nail “Bloody Bloody Andrew Jackson”‘s irreverent, over-the-top vibe, serving up plenty of humor and high amplitude entertainment.
SpeakEasy Stage Company
The questions at stake are good ones and not asked very often in contemporary plays: why do some win and others lose in America? And what are the responsibilities of the haves and the have-nots?
The SpeakEasy Stage Company’s Xanadu is a joyful, fun piece of light summer entertainment, beautifully executed by the cast and crew, that celebrates sublime schlock in surprisingly hilarious and creative ways.
This musical’s challenging, raw, and poignant storyline, along with the stunning work of the SpeakEasy Stage Company cast and designers create a can’t-be-missed, far from normal production.
Arts Fuse Critic (and visual artist) Franklin Einspruch reviews “Red,” a drama about Mark Rothko, and doesn’t like what he sees.
“Red” is about creativity and destruction, Apollonian rigor and Dionysian instinct, fathers and sons, love and rejection, life and death.
“Red” is a drama about the modern artist and his place in art history: at its center, painter Mark Rothko confronts fame and the commoditization of creativity in the world of contemporary art.
The year kicks off with few unusual productions — companies are depending on proven New York hits, such as the Yasmina Reza duo, the Tony award-approved “Red,” and “Green Eyes,” though the Tennessee Williams curio tantalizes.
Charles Busch’s plays are informed by an obsession to playfully upend iconic film genres. This time it’s the celluloid celebration of nuns, and what a divine romp it is.
“Next Fall” is so anxious not to polarize or offend that it ends up as little more than well meaning. Something serious seems to be happening on stage, but for all intents and purposes the conflicts that make for genuine drama fall by the wayside.