Ralph P. Locke
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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A masterful composer of French Baroque violin sonatas displays another side of his immense talent in this first-rate new recording of his Scylla et Glaucus.
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Meyerbeer’s Robert le diable paved the way for major works by Meyerbeer himself, Halévy, Verdi, Wagner (in German), Saint-Saëns, Massenet, and others — and this splendid performance shows why.
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Aside from English pronunciation issues, the singers put over this remarkably polished and attractive opera by one of England’s great seventeenth-century composers with great panache, matching the superb instrumentalists.
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Rossini’s one-act opera from 1812 rings fresh changes on a host of comic-opera clichés.
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This world-premiere recording of a powerfully compelling opera, based on a play by Jewish philosopher Martin Buber, is revelatory.
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This re-release of a superb recording of a major Meyerbeer opera reminds us what treasures are available to opera companies (and college opera programs) willing to step beyond the well-trodden path.
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Here’s my list of two dozen superlative operatic offerings of wildly differing kinds, plus some notable non-operatic offerings.
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